Word: ever
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Dates: during 1930-1939
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Indeed, it is obvious that, undergraduate polls and undergraduate jitterbugs notwithstanding, no House should ever engage a "name" orchestra. To pay for such orchestras it is necessary in the first place to raise the price of admission beyond the reach of many members of the House. This is a patent injustice and ample reason in itself for abolishing such dances. Secondly and consequently, it is necessary to initiate an expensive advertising campaign and lure in outsiders, usually Freshmen or members of other Houses, but too often out and out ringers. Thirdly, the House dining-halls (with a single possible exception...
...work, which has been compared to Thackeray's by Clifton "Information Please" Fadiman of the New Yorker, Marquand said, "The awful thing in writing in to take yourself too seriously. I don't want ever to feel I'm a great writer I want to be only too conscious of my own defects. Nor do I yearn to write a 'monumental work...
...taxi-drivers. It is a sprightly picture, never convulsing the audience with laughter, but leaving it happy and satisfied. It has faults, to be sure, a trite plot and some forced situations, but Miss Colbert sweeps it along to victory. Right by her side is John Barrymore perfect as ever and clearly the hero in his rare moments of appearance. Mr. Barrymore should not be subdued that way; but unfortunately the spotlight demands a younger triangle of which Francis Lederer is about sixty degrees and Don Ameche thirty. The odd part is that Miss Colbert, as a penniless American dancer...
...expanding it, there is every reason in favor of doing so. Supplementing rather than replacing T. S. E., the N. Y. A. aid could be extended to commuters, and, perhaps, to graduate students. If it must, in order to preserve its peace of mind, an ever-wary Harvard can accept the aid on a year-to-year basis; but in order to rise above pride and petty individualism, the University must at least accept what is certainly a government's enlightened generosity...
...success of Gene Autry and the Hopalong Cassidy series, partly because there is no other type of picture calculated to give so little offense to foreign countries, they have enjoyed a spectacular renaissance. Minor producers who make low-budget Westerns in dozen lots are turning out more than ever. Major producers, inclined to disdain Westerns for the past few years, have not only resumed making them but promoted them to high production budgets...