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Hungry Seagulls. Hirshhorn's random net inevitably scoops up many second-rate paintings, but it also snares some splendid ones. Among his finest recent purchases is Philip Evergood's American Shrimp Girl (opposite). One of the most versatile draftsmen alive, Evergood took obvious delight in depicting the hungry seagulls that circle the girl's head, and contrasting their eager grace with the girl's heavy-limbed, foursquare pose...

Author: /time Magazine | Title: Art: BIG SPENDER | 7/25/1955 | See Source »

...moody, swirling blobs of color, as otherworldly as their titles (Strata No. 1, Tones of Silence, Pad '55). Only here and there does an oldtimer hold out. Ben Shahn in Second Super Market makes a tasteful composition out of wire grocery carts; the '303 echo in Philip Evergood's Quick Lunch, a ham-handed working man swigging a soft drink; Morris Graves's Bird is deftly caught on thin rice paper with a Chinese economy of line. But they are small islands of representation in a swirl of abstraction. Emphasizing the trend is Brooklyn Museum...

Author: /time Magazine | Title: Art: The Postwar Decade | 5/23/1955 | See Source »

...standout at last year's Carnegie exhibition and also at the Met. Andrew Wyeth, generally the realest of the young realists, sent a vapid study of a curiously costumed boy on a bicycle adorned with a red, white & blue racoon tail. He called it Young America. Philip Evergood, who is as much concerned with social propaganda as he is with exercising his prodigious talent, showed a grim glance at Harlem entitled Sunny Side of the Street. It was cluttered as all get-out, but as usual with Evergood, every detail was drawn with character and spirit...

Author: /time Magazine | Title: Art: The State of Painting | 12/11/1950 | See Source »

...prizes, awarded by a conservative, three-man jury, went to expressionists, i.e., people who paint what they feel instead of what they see. Philip Evergood, 47, took second prize with a vaguely political parody of a mythological theme: Leda in High Places. Leda and the swan (which Evergood intended to represent "nature" and "man's ideals") were elegantly drawn and painted to shine like new snow, but the picture fell apart at the top and degenerated into cartooning at the bottom. Leda's just-hatched twins were cast as symbols of race-hatred. The prize they fought...

Author: /time Magazine | Title: Art: Made in U. S. A. | 10/24/1949 | See Source »

...TIME'S apologies to Artist Evergood for stupidly attributing to him the New Masses' high-flown comments. For a sample Evergood nymph...

Author: /time Magazine | Title: Letters, Jun. 7, 1948 | 6/7/1948 | See Source »

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