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...proof, Giamatti offers up Cinderella Man, a boxing movie opening this week in which Russell Crowe plays James J. Braddock, the Seabiscuit in Everlast trunks who lifted America's spirits during the Great Depression; Giamatti is Braddock's loudmouthed, good-hearted trainer Joe Gould. "Gould was actually his manager, but they fudge it and make me his trainer-manager," Giamatti says. "It kind of puts me where the action is." Giamatti loved wearing 1930s clothes, being around fighters and working with Crowe ("It was about as much fun as I've ever had with another actor"), and director Ron Howard...

Author: /time Magazine | Title: The World's Best Character Actor | 5/31/2005 | See Source »

...Everlast...

Author: By Alex C. Britell, CRIMSON STAFF WRITER | Title: Hove Hates on Harvard | 10/30/2003 | See Source »

...move to a minimalist room on the top floor of the MAC with a painted red floor and chains hanging from the ceiling. The chains are there to suspend the huge Everlast punching bags the team drags in. There are also smaller, round punching bags called speedballs...

Author: By Véronique E. Hyland, CRIMSON STAFF WRITER | Title: Easy Riders, Raging Bulls | 10/9/2003 | See Source »

...qualifies as political music at all. By Chuck D's famous definition of hip-hop as the black CNN, bringing the news from the streets is itself a rebel dispatch. (Eminem does the same for the white underclass, when he manages to get past his fixations on his mom, Everlast and boy bands.) And the undying Tupac Shakur--named for a revolutionary and tied, through his mother and musical executor, to the Black Panther movement--is a far more political figure than his lyric sheets suggest. But popular hip-hop, P.-Diddy-all-about-the-Benjamins-style, tends...

Author: /time Magazine | Title: Africa: Get Up Stand Up | 9/15/2001 | See Source »

...middle-aged Beatlemaniacs still shaking their imaginary moptops. It requires massive sales to the teenagers and twentysomethings who buy most records. The phenomenon of that album followed the success of Santana's Supernatural, which paired a survivor of the '60s with up-to-the-minute acts like Lauryn Hill, Everlast and Rob Thomas from Matchbox 20. And before Santana, there was Aerosmith and Eric Clapton, Neil Young and Tina Turner, Sting and Cher, David Bowie and Bruce Springsteen. All of them sustained long careers by adding younger fans to the ones who remember them from before they got reading glasses...

Author: /time Magazine | Title: Music: Rock Of Ages | 2/26/2001 | See Source »

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