Word: everymanic
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...king is told his fate with absurd and explicit clarity at the play's beginning: "You're going to die in an hour and a half. You're going to die at the end of the play." His name is Berenger -lonesco's Everyman, who was the clerk in Rhinoceros, the clown in The Airborne Pedestrian. With typical lonesco chronology, King Berenger is about 400 years old, but his reign seems to span thousands of years. He is credited with inventing the wheelbarrow, designing the airplane, splitting the atom, and writing Shakespeare's plays. Once...
...hours after a heart attack are the most critical. Top U.S. Government physicians believe that in the case of at least one patient with a heart-attack history, namely Lyndon Johnson, the equipment should be installed in his home-the White House. Since that is not practicable for Everyman, the alternative is to rush the equipment to the patient...
...pile of little boys-800 of them, by the best estimates of the time. In its outlines, this historical novel is undoubtedly Sade-but-true. More debatable is the book's claim that Marshal de Rais was not entirely a monster, but "the magnified and distorted image of everyman." Everyman? De Rais, whose atrocities many believe to be the inspiration for the Bluebeard legend, became overlord of Anjou at the age of 13, a marshal of France at 26, and he never betrayed a friend. Once, when his loyal soldiers were helping him destroy the evidence by throwing...
...grey, white and black. "If you combine sumptuous sets and costumes with Mahler," explains MacMillan, "you get something like jam on jam." A tenor and a mezzo-soprano sang the vocal parts from opposite sides of the proscenium, while onstage dancers representing such allegorical figures as Youth, Beauty and Everyman traced a melange of MacMillan movements that seemed to draw equally on classical, modern and Chinese dance styles...
...familiar and alluring one, sometimes standing patiently to the side, sometimes dancing among the other figures or carrying them away. At the end, something beyond his triumph was suggested as the mezzo-soprano sang, "Everywhere and forever the distance looks bright and blue-forever . . . forever," and he and the Everyman and Woman figures united in a slow, floating movement directly toward the audience...