Word: evett
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Dates: during 1990-1999
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...from her to be with another man. (Of her husband's male friends who used to come visit, she sings bitterly that they were "envying me and flirting with him" instead of the other way round). In a slapstick touch, her husband returns near the end as Judy Bell (Evett), a transsexual telephone repairperson who is now attracted to other women. Nor is this the end of it all: Judy Jr. (Playten), daughter of Judy baby and Judy Bell, decides she's a lesbian, yet gets pregnant. The viewer is left with the sense that things have been taken just...
...quibbling, as one might expect, but rather with the Devil (Charles Levin). He runs down an aisle through the audience to the stage, introduces himself as a troublemaker and marriage-breaker, and announces the topic of the show: marriage and relationships. The scene then shifts to Punch 2 (Benjamin Evett) and Judy 2 (Gail Grate), a modern-day couple with a young daughter, "Judy baby" (Alice Playten). (Part of the show's strangeness comes from the fact that most of the characters' names are some variation on Punch and Judy). They argue a bit and then...
...have been Shepard's cruel writing, but Ben Evett doesn't seem to know exactly who he is or why he is on stage. He has a tendency to over- or under-act, and at the wrong times. Jeremy Geidt mumbles too many of his lines, but he's playing an old, near-crazy curmudgeon, so he can be forgiven. Both Evett and Geidt fail to convey and deep understanding of their characters, and come across as flat figures on the stage...
...music of composer and sound designer Bruce Odland brings the songs of the spirit Ariel (Benjamin Evett) to life. Evett's great falsetto and mysterious vibrato make the songs sound magical and strange. Yet his conch shell allows for diversity: Ariel does everything from a rap segment-using the conch as percussion-to a call in which he speaks through the amplifying and distorting shell...