Word: evil
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Dates: during 1960-1969
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...indestructible, she is drugged, chloroformed, kidnaped, nearly impaled on a hatpin, and at one point must be pulled out of the river after a prolonged dunking that would have drowned a plainer girl. Most of her woes are devised by a supple archvillainess (Francine Bergé) who revels in evil for its own sake, keeps slipping out of her period gowns to dart away in tights, only to reappear moments later as an apache dancer or murderous...
Bunuel's theme is the seductive power of Evil. Earlier, when Josef and a Fascist friend were composing anti-Semitic tracts, a witless scullery-maid unwittingly contributed a phrase, by voicing her opinion on a point of rhetoric. We are never sure how close to moral seduction our protagonist Celestine is, as she struggles in the currents of circumstance. We too feel seduced when Bunuel's devious camera involves our gaze in the seemingly innocuous--a butterfly on a window--then pulls back to show us our complicity in senseless violence--as the senile grandfather blasts it with a shotgun...
...must go on record as opposing the forces outside the South which would use legal or police compulsion to eradicate that evil overnight. I was against compulsory segregation. I am just as strongly against compulsory Integration. Firstly of course from principle. Secondly because I don't believe it will work...
...singing sometimes adds to the splendor of the music. James Paul, as the ghost Peter Quint, can evoke lurking evil, great power, and blinding charisma with his smooth tenor, and gives a truly frightening performance. The governess, Jean Marshall, has an accurate, pleasant voice that is sometimes too weak; but it is her acting, not her voice, which makes us care about her even more than we do about the beautiful, corrupted children. Their main difficulty is that their voices aren't quite strong enough; and in the chimes scene, where their hymn deteriorates into a satanic chant, the horrifying...
...daily press is the evil principle of the modern world, and time will only serve to disclose this fact with greater and greater clearness. The capacity of the newspaper for degeneration is sophistically without limit, since it can always sink lower and lower in its choice of readers. At last it will stir up all those dregs of humanity which no state or government can control...