Word: evil
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Dates: during 1960-1969
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...question of conscience that The Deputy raises is bound to survive the play and to condition any future judgment of Pius XII: Is it morally defensible for the Vicar of Christ on earth to remain silent in the face of such monstrous evil? And must not every man of good will or religious conscience bear witness to what he believes before and sometimes against the world? But Hochhuth does not stick to this lofty issue. As a German, he lives guiltily with guilt, the knowledge that the Nazi leaders and the people who brought them to power must bear...
...mountainous lummox with a hook where his right hand oughta be) we discover face up and fish lipped in an overflowing bathtub. Number three (a balding dry-goodsman from the Bronx or someplace) gets his throat most ostentatiously slashed in an early-morning elevator. The last is an evil-tempered Texan named, curiously enough, "Tex." Audrey finds him bound head to foot, his nostrils sucking in at a polyethylene laundry...
...direction and David Levine's lighting, is equally as deft. David Rittenhouse, playing Ferneze, the Governor of Malta, and Francis Gitter as the Jew's daughter, display a remarkable intensity in their more straight-forward roles. Charles Degelman, who plays the scheming Turkish slave Ithamore, could have looked evil just by raising his eyebrows and shifting his huge jaw into a sneer. Only Neal Johnston as Pilia-borza seemed amateurish, but that was as much due to his Ralph Guglielmi accent as to his performance...
There came a time ten years ago when Mary Lou Williams decided that jazz was the devil's own music. She was among the best of the bebop pianists, but out on the scene she sensed evil all around her. She could even hear it echo in her playing. One blue night in Paris, "the badness" overwhelmed her; she got up from the piano and quit jazz cold. She drew up a list of names to pray for (urgent cases marked in red), and before long she had an endless coil of sadness, an encyclopedia of bad trouble...
...only thing I do feel is holy," says Giovanni. "However it may storm and rage, I thank it. Because it's cruel and hard and ruthless, and yet gives peace. Surrender utterly to the sea and cease fretting about right and wrong, truth and falsehood, good and evil. Become as free as the sea; surrender to uncertainty as the only certainty...