Word: evil
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Photographic Board takes pictures, and very good pictures they are, too. Some malicious person with an evil tongue has spread abroad the rumor that news photography dampens creativity of the camera and darkroom. Not so; this spirit must be exorcised. Conjuro te, Satanass for all kinds of photographers is the Board a haven. It is just that, in fact, for those who have never seen the inside of a camera. For this, as for all Boards, you need absolutely no experience whatever; so if you have often expressed a longing to photograph well, to develop, fix, enlarge, engrave, and mount...
...issue of TIME, the editors will once again announce the Man of the Year. He will be the person who in their judgment, has done the most to change the world-for good or evil-during 1960. TIME'S men of the past four years have thus ranged from the Hungarian Freedom Fighter (1956) to Nikita Khrushchev (1957), Charles de Gaulle (1958) and Dwight Eisenhower (1959). It is an old TIME reader's custom to match wits with the editors around this time of year. Readers who would like to enter this year's sweepstakes are invited...
Arthur Koestler's own Western approach to things reveals itself in his complaint that Zen has little to offer to "the moral recovery of Japan." Actually, the concept of morality or immorality, good or evil, does not exist in Zen; enlightenment, rather than making the world a better place to live in, is the goal...
...student described the painting as "appropriate for an evil child's nursery." Such a remark could once have been the opening for a raucous argument on the merits of modern art. But, until the understudy arrives, life at Harkness, alas, will be bleak...
...production did little to improve matters. The singing-by Baritone MacNeil in the title role, Soprano Leonie Rysanek and Mezzo-Soprano Rosalind Elias as the evil and good daughters of the King, Bass Cesare Siepi as a Jewish high priest-was generally good but rarely inspired. Conductor Thomas Schippers (who at 30 is the youngest conductor ever to open a Met season) whipped his orchestra through the score at a soprano-searing pace. The sets by Teo Otto and Wolfgang Roth were contradictory in style: an ornate realistic idol in one scene, a starkly abstract grillwork in another. Although...