Word: eviler
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...spits in his trademark mumble. Grimy yet danceable, it is easily the best song on the album, as well as the best G-Unit song since “Hate It Or Love It.” But the majority of the album never rises above mediocrity. The simply evil “I Don’t Know, Officer” is too selfish (and too long) to qualify as an anti-snitching anthem. 50 Cent, Prodigy (the third best rapper in New York in 1995, who’s fallen off harder than Humpty Dumpty), and a barely...
Steven Soderbergh, who directed Traffic and whose production company, Section Eight, bought the rights to See No Evil, negotiated the deal with Warner Bros., even though details about the movie were nonexistent. "In those situations," says Soderbergh, "you never expect the studio to see the UFO, but you've got to make them believe you saw it." Still, Gaghan needed a story, and See No Evil was no help. Even Baer admits that much of the book is so esoteric that it's "wasted on everyone but Israeli intelligence...
What really distinguishes Martin, and what marks him as a major force for evolution in fantasy, is his refusal to embrace a vision of the world as a Manichaean struggle between Good and Evil. Tolkien's work has enormous imaginative force, but you have to go elsewhere for moral complexity. Martin's wars are multifaceted and ambiguous, as are the men and women who wage them and the gods who watch them and chortle, and somehow that makes them mean more. A Feast for Crows isn't pretty elves against gnarly orcs. It's men and women slugging...
...shame. As much as we rely on the government for security intelligence, we rely on artists to offer moral intelligence about how evil works. "It's like they say, Know your enemy," says Ethan Reiff, a co-executive producer, with Cyrus Voris, of Sleeper Cell, a 10-hour Showtime mini-series (running over two weeks beginning Dec. 4) that goes inside an al-Qaeda cadre planning a WMD attack in Los Angeles. "In pop culture," says Voris, "terrorists have been simplistic bad guys who come from a country called Unnamedistan...
Immediately after 9/11--when seeing anything other than evil behind terrorism got Bill Maher and Susan Sontag lambasted--there was a limited audience in the U.S. for complex terrorists. But four years and a controversial war later, a few works are starting to hang flesh on those stick villains. In addition to Syriana and Sleeper Cell, there's The War Within, a film about a plan to blow up New York City's Grand Central Terminal, and Paradise Now, about Palestinian suicide bombers. Salman Rushdie has taken up the subject in his latest novel, Shalimar the Clown...