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Stephen King knocks out formula tales about ordinary people, folks much like you or me -- except that they can see into the future or cause stones to rain from the sky. These protagonists are pitted against, and triumph over, the evilest of forces. King doesn't for a moment aspire to a high plane of literature, but his work does show a degree of craftsmanship. His characters, while not as clearly defined as possible, are believable, even if their settings are not, and King has the sharp visual acuity of a filmmaker as he shifts time and space to effect...

Author: By Zan Stewart, | Title: Firestarter | 11/18/1980 | See Source »

...avoids the mediocrity of a morass of cliches. Akira Kurosawa, the director, who focused world attention on Japanese cinema with Rashoman and Seven Samurai, succeeds in Yojimbo without resorting to either didacticism or melodrama. Violence accompanies comedy and through this incongruity. Kurosawa states that even in its evilest moments, the human animal is funny. Perhaps, Kurosawa believes that only then is man funny, for in the film, when the evil is vanquished, so is the humor and nothing remains...

Author: By Louise A. Reid, | Title: A Fistful of Yen | 5/19/1972 | See Source »

...nation's annual plague of grasshoppers was beginning early last week in Mississippi, where the hoppers were crunching through corn and cotton fields, eating everything in sight except the evilest-tasting weeds. Farmers were fighting them in an approved modern manner: with bait of wheat bran flavored with white arsenic...

Author: /time Magazine | Title: Science: Grasshopper Time | 7/12/1948 | See Source »

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