Word: evilness
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...whether or not the quota system is accepted as a necessary evil, a method must be worked out more just and more sensible than what is now in effect...
...girls, Sophie, played by Francoise Arnoul, has a mysterious fixation for a clubby, killer type named Sforzi (you can tell he's a bad guy because he wears a vest). Sforzi has deep seated homocidal designs on an evil father image, Baron von Bergen, who has made his fortunate counterfeiting British pound notes during the war and turned Sforzi from a nice, simple peasant lad into a well-groomed unhappy killer. Into the midst of this sick triangle comes big suave Paris photographer Michel LaFaurie, played by Christian Marquand, who immediately falls in love with Sophie and gets caught...
Chance is an English prison doctor on holiday, and he is accustomed to criminals. But in the International Zone of his North African vacation spot he becomes enveloped in evil so dense and tense that it seems part of the town's climate. There is, first of all, Marcovicz, a crippled German Jew whose mind seethes with injustice; he is a psychopath who has killed and is ready soon to kill again. Through him Dr. Chance meets an international crowd of idlers, gangsters, sex deviates and refugees from humanity who are to make his eight-day stay a nightmare...
Barth began by spraying a plague on "the forces and powers" of both East and West, but the plague on the West soon took precedence. "If there is such a thing as hostility toward Christ," Barth said, "it does not exist in the Communist East alone." The "evil spirit" manifests itself in the East as "open totalitarianism, backed by an all-powerful political party." whereas in the West it takes the form of "creeping totalitarianism, backed by powerful institutions, such as press, private enterprise, public opinion and arrogant wealth." Moreover, the Communist regime of East Germany may be regarded...
...more than two colors each-are far less known, but rightly emphasized in Chicago's show. Gauguin's Here We Love evokes that shadowland beneath the waterfall from which no traveler returns unchanged. His picture of a night-time bonfire conference is ominous with invisible evil (see below). Gauguin could create natural atmospheres with colors, and could create supernatural ones with ink alone...