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...warned against defining threats in theological terms that draw upon popular fears of an abstract evil...

Author: By Sarah E.F. Milov, CONTRIBUTING WRITER | Title: Brzezinski Warns Against Unilateralism | 3/19/2004 | See Source »

Singer—whom one disabled rights activist called “the most dangerous man alive” because he has justified euthanasia for severely impaired infants—has turned his attention to American political rhetoric in his latest book, The President of Good and Evil: The Ethics of George W. Bush...

Author: By Daniel J. Hemel, CRIMSON STAFF WRITER | Title: Singer Challenges Bush's Ethics | 3/19/2004 | See Source »

There are three fatal flaws that damage Mel Gibson’s The Passion of the Christ for nonbelievers: almost no characterization or narrative, a spectacularly large amount of violence and almost all of the Jews are evil Christ-killers. In Gibson’s mania to present the extent of Jesus’ suffering, character is lost, and by the end of the film, Jesus begins to resemble a piñata more than a man. The effect is that it is hard to understand quite what the point of all this is. It is never clear...

Author: NO WRITER ATTRIBUTED | Title: Weekend Listings | 3/19/2004 | See Source »

...Yeltsin tanks and possible dictatorship if the communists win, they persuade Yeltsin's daughter Tatiana (Svetlana Efremova) to try a modern campaign: focus groups, photo ops and brutally negative ads. She resists their suggestions as "phony American tricks." (One of numerous ironies is that many former subjects of the "evil empire" are more idealistic about democracy than the Yanks.) But eventually she accedes even to the brazen request that Yeltsin give a speech sober. "Perhaps we should schedule the speech early in the day," she offers...

Author: /time Magazine | Title: Television: Moscow on the Hustings | 3/15/2004 | See Source »

There are three fatal flaws that damage Mel Gibson’s The Passion of the Christ for nonbelievers: almost no characterization or narrative, a spectacularly large amount of violence and almost all of the Jews are evil Christ-killers. In Gibson’s mania to present the extent of Jesus’ suffering, character is lost, and by the end of the film, Jesus begins to resemble a piñata more than a man. The effect is that it is hard to understand quite what the point of all this is. It is never clear...

Author: By The Crimson Staff, THE CRIMSON STAFF | Title: Happenings | 3/12/2004 | See Source »

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