Word: evitas
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Dates: during 1990-1999
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Best Musical Carousel by Rodgers and Hammerstein (1945) They set the standards for the 20th century musical, and this show features their most beautiful score and the most skillful and affecting example of their musical storytelling. RUNNERS-UP Guys and Dolls by Frank Loesser, Abe Burrows and Jo Swerling; Evita by Andrew Lloyd Webber and Tim Rice...
...Broadway impresario, who has spent a half-century creating musicals such as Evita, Cabaret, Company and Phantom of the Opera, was appalled to learn that the June ceremony's network telecast did not include any mention of authors, designers, directors or choreographers...
...Philippines and Nicaragua. They did not, however, get there by default. They ascended by courageously making themselves the rallying point of a revolution. The one who did ascend for no other discernible reason than having shared the great one's bed is one Mrs. Peron of Argentina. Not Evita, who became a saint after her death but never actually ruled--no, the sorriest modern case of rule by consort is Peron's third wife, Isabel, a cabaret dancer he met during one of his exiles in Spain, who turned in one of the most disastrous presidencies in Argentine history...
...like the true cultural icon/diva/ice queen/anathema that she is and always has been, Madonna has found--and promptly appropriated--the newest fad. It was Erotica Madonna, then Evita Madonna, then Mama Madonna, then Om Shanti Madonna, and now--gasp!--it's Geisha Madonna. Obsessed with Arthur Golden's Memoirs of a Geisha, Madonna has turned into a pop culture juggernaut. She has declared herself "Hatsumomo," the malevolent nemesis of the book's protagonist. (In a recent interview she clued us in to the disturbing fact that baby Lourdes seems to like calling her mom "Hatsumomo...
...usual material for a Broadway musical--but don't scoff. Director Harold Prince has taken other unlikely subjects, from Sweeney Todd to Evita Peron, and made them sing onstage. And book author Alfred Uhry (whose great-uncle was Leo Frank's boss) has been able to turn the crosscurrents of race and religion in the South into mass entertainment before (Driving Miss Daisy, The Last Night of Ballyhoo). Indeed, Parade, which just opened at Lincoln Center, is the kind of ambitious musical that can sometimes soar to greatness. It certainly takes a healthy bite out of a juicy story...