Word: exact
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Dates: during 1970-1979
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...century Caliph Harun al-Rashid once took a Heraclean slave girl into his harem. So homesick was she that the Caliph built for her an exact replica of Heraclea, her native Greek city, at her exile on the banks of the Euphrates. To many the American enclave of the Panama Canal Zone seems such a Heraclea, almost a parody of country-club America, an elegant company town set down in the Panamanian jungle. But that picture is something of at stereotype, as TIME'S Bernard Diederich discovered when he visited the zone last week. Diederich s report...
...working through the Smithsonian Astrophysical Observatory, will aim high-powered pulses of laser light at the satellite from positions on the earth. By measuring the length of time the light needs to travel to the satellite and reflect to the laser stations, scientists will be able to calculate the exact distance from each laser gun to LAGEOS. Thus, by placing stations on each of the dozen or so tectonic plates that constitute the earth's surface, they can track the rate and direction of the plate movement, which results in continental drift. With stations on each side...
Auchincloss's legal life touches his literary work in other ways, too. Like the legal agreements he draws up during the day, his prose is dry, polished, exact. Moreover, his characters are often two-dimensional, acting unspontaneously, as if according to some imagined contract. No novel better illustrates Auchincloss's legalistic point of view than his most recent one, The Winthrop Covenant...
...looping involves more than mindless drudgery, although the nickname "mule train" persists in many caddy yards. During the U.S. Women's Open Bartlett paced off exact yardages before each round and rose every morning to watch P.J. Boatwright, the venerable executive director of the USGA, attend to pin placements. "Every time he found the right place his face would light up with a sadistic smile," Bartlett remembers...
...Black and Morgenroth, too, were concerned--using energy as speedily as possible. Rather than structure their piece into a series of discrete events, as did the two established choreographers, Jeanette Rive and Christian Swenson blurred the lines of their choreography. One could never say what was happening at any exact moment. Costumed in gray leotards and silver hoods, the two ended the piece by melting in a heap as the music of Larry Coryell and Oscar Sala petered...