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...edited by Dubois Professor of the Humanities Henry Louis “Skip” Gates, Jr., is emphatically not about that kind of discourse. Nor is it about promoting multiculturalism in the vapid, “Aladdin” sense. Nor “globalization,” exactly??“a term that,” in Appiah’s words, “once referred to a marketing strategy, and then came to designate a macroeconomic thesis, and now can seem to encompass everything, and nothing...

Author: By Moira G. Weigel, CRIMSON STAFF WRITER | Title: Weigel Room: Being 'Cosmo' Girls—And Boys | 2/15/2006 | See Source »

...effective—sometimes. Dasher recounted a few occasions on which existing couples found themselves at the top of each other’s compatibility lists. The mystique of Datamatch is only strengthened by Dasher’s admission that “nobody has any idea exactly?? how the roughly decade-old algorithm that puts the “match” in “Datamatch” works. Unfortunately for those who planned on using the HCS questionnaire to find a partner who shares a love of the Kong’s crab rangoon, romantic...

Author: By Nicholas A. Ciani, CONTRIBUTING WRITER | Title: Love at First Byte | 2/14/2006 | See Source »

...committee was looking at general ideas,” he said. “Most people thought that the ultimate solution was to put [new Houses] along the river. Where along the river exactly??we did not deal with that...

Author: By Joseph M. Tartakoff, CRIMSON STAFF WRITER | Title: Three Sites Touted for New Houses in Allston | 5/23/2005 | See Source »

It’s the hometowns that are telling. The kids who are dying are from places like Arkansas, Nashville or Ayden, North Carolina. They may be members of our cohort, but they aren’t our peers, exactly??they’re less New York than we are, less East or West Coast. They’re Southern kids and Midwestern kids, kids for whom the army means a way out of their little town and maybe some money for college. They’re the kids for whom the army has set up the recruiting...

Author: By Phoebe Kosman, | Title: Poor Man's Fight | 5/17/2004 | See Source »

This isn’t a musical exactly??it’s maybe best described as a play with songs. While writing this play and the last one, some material leapt out in meter, or with a melody, or with a bass-and-percussion rhythm attached. Music and song evoke responses in us that straight text doesn’t, and vice-versa. I keep finding myself wanting to juxtapose text and song, but not in a new-music-opera way. I’m too much of a text-bound creature for that...

Author: By Rachel E. Dry, CRIMSON STAFF WRITER | Title: Unabomber: The Musical | 11/7/2002 | See Source »

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