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City officials agreed yesterday that Cambridge could lose "substantial" federal funding in the forms of CETA and other employment aid grants, although they would not provide exact figures. State losses of Congressional seats would also hurt the city indirectly...

Author: NO WRITER ATTRIBUTED | Title: Boston, Cambridge File Suit To Force 1980 Census Recount | 10/4/1980 | See Source »

...Pentagon did the exact opposite. It told Benjamin F. Schemmer, owner and editor of the widely respected Armed Forces Journal, that he could now publish a detailed story about Stealth that he had been sitting on for two years at the Government's request. Indeed, William J. Perry, Under Secretary of Defense for Research and Engineering, briefed Schemmer with additional information...

Author: /time Magazine | Title: Nation: Chronicle of a Security Leak | 9/29/1980 | See Source »

...popularity of architectural drawings as art in themselves, and the revival of decorative facades in post-modern architecture are all part of a new interest in the nature of architectural forms as entities in themselves. Miss offers clever explorations of perspective and, through visual illusions, calls attention to the exact nature of ordinary forms. What her works lack is an overt sense of personal and emotional involvement on the part of the artist. If this human element were attended to, the result might then be a work which would transcend stylishness...

Author: By Lois E. Nesbitt, | Title: Trompe L'Oeil | 9/23/1980 | See Source »

...Administration did not reveal the exact contents of Muskie's letter. The reasoning was that the best course was to let the Iranians make public as much or as little of the message as they chose. It was known only that it did not contain anything like the "apology" that the Iranians have demanded of the U.S. for its role in Iran in the days of the Shah...

Author: /time Magazine | Title: IRAN: Score One for Linowitz | 9/15/1980 | See Source »

Price knows that audiences have changed since 1904-or 1968 for that matter. The Goodspeed's plays are not exact reproductions, but approximations of the originals. For the first quarter of the century, the books of musicals, the stories that bind them together, were rudimentary. Modern audiences expect more of a plot, and the books have to be extensively rewritten, with dated jokes carefully excised. The editing has to be judicious, however, so that the show's spirit is retained. In Johnny Jones, for example, Adapter Alfred Uhry wisely kept Cohan's quaint jingoism. "You think...

Author: /time Magazine | Title: Show Business: Where Great Musicals Are Reborn | 9/1/1980 | See Source »

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