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...this is the most damaging and the most widespread virus outbreak ever." Symantec's Moritz is more cautious, conceding that it is No. 1 in numbers and rate of spread, but for sheer destructiveness he prefers last year's Explore.Zip, an especially vindictive virus designed to destroy Microsoft Word, Excel and Powerpoint files...
Laroux arrives as an unassuming Microsoft Excel file known as a macro. Ethan, Marker, Class and Footer hide inside Microsoft Word macros. Happy, Form and Chernobyl work on Windows, while big-league heavies like Explore.zip (not to mention year 2000 contenders Kakworm, Bubbleboy and, of course, ILoveYou) head straight for Microsoft Outlook Express...
Security experts have long warned that Microsoft software is so widely used and so genetically interconnected that it qualifies as a monoculture--that is, the sort of homogeneous ecosystem that makes as little sense in the business world as it does in the biological. Using Word, Excel and Outlook exclusively on Windows machines in a company network "is like planting Kansas with the same grain of wheat," says Bill Cheswick, a senior researcher at Lucent. When a virus preys on the crop, nothing is left standing. The companies hit hardest by the Love Bug were closed Microsoft shops. Users...
...such marketplace realities have meant little to Klein and the state attorneys general, whose relations with one another have been contentious from the get-go. Some states first sought to charge that Microsoft's Office suite of programs--which include such software mainstays as Word, Excel and PowerPoint--has a monopoly of its own. But by April 1, a Saturday, all the trustbusters' positions were beginning to converge. That's when mediation talks between Microsoft and the prosecutors broke down, a development Klein learned about while working on the weekend in his third-floor office at Justice. That day, Klein...
...ensure that he brings in the buzz that drives the biz, Arnault hires edgy, critically acclaimed young designers who never made a centime of profit when they ran their own houses but who excel at engaging, exciting and infuriating the fashion press. Arnault points to John Galliano's spring collections for Dior this year as typical of what he wants from his designers. "His ideas are not meant to be worn," Arnault says of the avant-gardish collection of bag-lady-style ball gowns, "but the ideas descend down to pret-a-porter and to everything in the line...