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...might the U.S. Supreme Court, if it ever hears the case). The Administration, then, can't necessarily be blamed for trying to treat al-Marri as an enemy combatant so that it could detain him indefinitely and prevent him from rejoining the enemy during the war on terror, right? Except that's apparently not what the Administration...
...show is at the Sage Building at the intersection of Brattle and Church Streets. Visitors are welcome each day between 10 a.m. and 9 p.m., except on Sunday when the hours...
...there is no rhyme or reason to this jumble - except perhaps to stress Edith's endless self-victimization. This lack of narrative coherence naturally has the effect of distancing us from her story. I guess Dahan thinks it really only has one point - her misery - and that it doesn't make much difference what order he presents it. Cotillard appears to be as tiny as Piaf was (the singer was only 4' 8") and she acts neurasthenic as all get out, but somehow her constantly victimized state works against our sympathetic response, particularly since the film's random structure often...
...Unlike some of this movie's skeptics, I don't mind Rogen. He has sweet eyes, a voice too deep and rich for his age and, in his one nude scene (Heigl doesn't get one, as Mr. Skin will tell you, except for a gynecological closeup late in the film) a cute tush. But by Hollywood beauty standards, he's so on the lower side of ordinary, he almost doesn't belong in movies. That's one good thing about Apatow: he subverts the medium's inherent aesthetic fascism - survival of the cutest - and puts funny people center-screen...
...abandoned, at least from the outside. The stunning new museum closes at 5 p.m. (it is a superb collection—most faculty and students go once, to show visitors). There are some classrooms in dys-Allston, but since courses ended by 4 p.m., the rooms are dark except for the blackboard washer. An occasional bike rider zips down an empty street on her way “back” to Harvard Square. Looming big-block buildings maximize floor space. These buildings of glass and steel carry strong, welcoming sandstone entryways announcing the Harvard X, Y, or Z-nomics...