Word: excepted
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Dates: during 1970-1979
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...that the subject was Viet Nam, the atmosphere clouded suddenly. Each of the three Soviet leaders in turn unleashed a diatribe against Nixon, who, except for two one-sentence interruptions, endured it in dignified silence. Not only was the substance tough but the tone was crudely hectoring. Brezhnev complained not only about our "cruel" bombing but about the whole history of our involvement in Viet Nam. He denied that military actions were needed to end the war. Hanoi was eager to negotiate; all we had to do was to get rid of South Vietnamese President Nguyen Van Thieu and accept...
...suspended between Europe and Asia, with a culture that had destroyed its traditions without yet entirely replacing them. He sought to obscure his lack of assurance by boisterousness, and his sense of latent inadequacy by occasional bullying. To be sure, no one reached the top of a Communist hierarchy except by ruthlessness. Yet the charm of the Chinese leaders obscured that quality, while Brezhnev's gruff heavynandedness tended to emphasize it. The Chinese even amid the greatest cordiality kept their distance. Brezhnev, who had physical magnetism, crowded his interlocutor...
...saying that the presence of a tender in Cienfuegos for 125 of the last 166 days was inconsistent with the understanding. The tender and sub left. In May, a tender and a nuclear-powered cruise-missile sub made a visit. Every conceivable combination was being tried -except the most important one, the presence of a tender in conjunction with a nuclear-powered ballistic missile sub. We lodged another sharp protest. The tender left once more...
...cannot yet write about Viet Nam except with pain and sadness." So begins Part 2 of TIME'S excerpts from Henry Kissinger's memoirs, an inside the White House view of the battles and bombings, the protests and posturings, the secret negotiations and public proclamations that finally led, in January 1973, to the signing of a peace treaty...
Each of the four operas takes less than an hour, and the whole evening adds up to about four hours in all--less than any one of the original operas except the "prologue" Das Rheingold. Sellars handles the musical cuts as skillfully as possible, and except for some of the act endings in Die Walkure and Siegfried, which he uncomfortably splices straight into the next scenes, they are not unsettling. Of course, Wagner's meticulous structure of leitmotifs crumbles to the ground. But from the opening of Rheingold, when Sellars' voice and the rustle of silver paper (standing...