Word: exception
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Dates: during 1970-1979
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...dropping each word like a cinder block, "I- am- Fidelity's - Chess - Challenger - your -computer - opponent." The speech is by no means as friendly and natural sounding as Speak & Spell's, but it is meant to intimidate adults, not encourage children. The voice has no great utility, except as a signal that the machine has finished cogitating and is ready to play...
...letter to the telephone company. The machine itself does not yet have a dog or a typewriter, and it becomes impatient within a couple of minutes when its opponent is thinking. Then it says, gruffly, "Enter-your-move." There is a useful voice turn-off button for such moments. Except for this bit of coffee-housing, Challenger has no small talk and no emotion, and after the human player has forced a perilous and gallant end-game win at level 6, it is a real disappointment to hear it say, uncaring and without expression: "I -lose." Voice Chess Challenger costs...
...freckle-faced Reno and Mickey Rooney (as the horse's crafty old trainer) are well cast, then-scenes together are perfunctory and impersonal. Emotions are provided in stead by a busy and overbearing musical score. The film's story begins to move in fits and starts. Except for the inevitable big race, it is not advanced visually but by bald snatches of voice-over dialogue. No doubt children in the audience will have a fine time anyway; they may even enjoy the film's prosaic conclusion more than its arty opening. Still, adults cannot be blamed...
...just as they did in last week's romp over Brown, the thinclads showcased their depth. Sixteen runners scored points as the Crimson copped two places in every running event except the 880 and swept the relays, proving that even without Murphy--who suffered from a sore throat and Udo, injured foot--the team can come through with enough points to hang tough in just about any meet...
Supremely competent as a businesswoman, working at nothing except building a powerful news machine, Katherine reflected no more deeply on the purpose of such an instrument than to want it to express her loyalty to the politicians toward whom she felt ppke a sister or a wife. Ths vulnerability and the sublimation of her feelings into intellectual, emotional, and political alliances, seemed to be a fundamental aspect of her widowhood...