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Word: exception (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...hippies in the Agassiz's production of Hair were portrayed, democratically enough, by a racially and sexually mixed cast who get more or less equal time in the spotlight. Hair seems such a group effort that it would be unfair to single out any of the actors for praise. Except for a couple of fluffed notes, the singing was powerful, and Betty Ludaici's choreography provides some of the most electric dancing I've seen in four years of Harvard musicals...

Author: By Gary L. Susman, | Title: Return Ticket | 5/10/1989 | See Source »

Another large problem with character is that Carlotta receives almost no attention. Her story opens up the book and she plays an important role at the end, but in between there is almost no notice of her, except to show her as Suwelo's lover. She gets less of a chance to reveal her character to the reader than the other three protagonists and they do not get much...

Author: By Amy B. Shuffelton, | Title: A Disappointing Mixture of Pop Style and Deep Ideas | 5/8/1989 | See Source »

...Anton Chekhov once remarked that medicine was his wife and literature his mistress. Ambassador George F. Kennan, 85, acknowledges that his own situation is "analogous, except that the mistress was far less beautiful than Chekhov's and had to content herself with much smaller pickings...

Author: /time Magazine | Title: Books: Fat Pickings | 5/8/1989 | See Source »

...triumph, though, is elusive and peculiar. Larkin and his contemporaries inherited the scorched earth of modernism -- the towering shadow cast by Yeats, the multilingual complexities introduced by Eliot and Pound, the daunting technical virtuosity of Auden. Starting out, Larkin had the good taste to imitate all these (except Pound), with some Dylan Thomas thrown in for good measure. He got out from under his predecessors only when he learned to lower his voice, to submerge complexities of thought and feeling beneath a serene, limpid surface...

Author: /time Magazine | Title: Books: No Tears, but No Comfort | 5/8/1989 | See Source »

...There was sense in the world. I went deep into my subconscious and had access to two different vantage points. I still feel that there are two worlds: the mirror world and the other one. Reality is the one that I see, not the one most people see, except in their dreams. Because I'm from that world, just pretending to fit into this one, the creative space in my head is freed. There are no limits. Nothing is imposed...

Author: /time Magazine | Title: ROSEANNE BARR: Slightly To The Left Of Normal | 5/8/1989 | See Source »

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