Word: excessive
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Dates: during 1990-1999
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Most of us absorb only 10% to 15% of the iron in our food. But people with hemochromatosis soak up 75% or more. The body stores the excess wherever it can--in the liver, heart, pancreas, joints--where it eventually causes permanent tissue damage. But the changes can be subtle. For example, iron buildup in the pituitary gland, which controls hormone production in the brain, may trigger impotence in men and early menopause in women. People of Scottish, Irish and Welsh backgrounds appear to be affected more than others--possibly because their ancestors ate a diet deficient in iron. There...
...best way to get rid of excess iron is through periodic bloodletting. That usually means giving up a pint every week or two for a year, and then once every few months or so. (Unfortunately, most blood banks won't accept the donation, more as a precaution than anything else.) Menstruation may help some women, but it doesn't protect them entirely...
...rendition, recorded after his famed competition win in Moscow in 1958, which is tender, lyrical and full of the charm that captivated the Russians. Similarly, Great Pianists traces the varying interpretations of Chopin through the century--from Ignaz Friedman (tempestuous, uncontrolled) to Artur Rubinstein (cool, modern and free of excess) to Claudio Arrau (full, rich, warm). Given enough time, this collection proves, styles have a way of coming full circle...
Elizabeth imagines an England in anarchy, wracked with an embroiling religious conflict between Protestantism and Catholicism. The Pope and his political counterparts in France and Spain are menacing the country, while the Catholic "Bloody" Queen Mary's public burnings of Protestants (presented in lurid excess in the opening of the film) only intensify the conflict. Into the middle of this maelstrom, Kapur places Elizabeth: young, innocent, with flowing hair and a penchant for dancing the volta. There may be something tenacious and unreadable in Cate Blanchett's Elizabeth, but Kapur doesn't help much, filming the young royal in pastel...
...also unfair to hurl all the blame at Pitt and Forlani. Though the acting might be depthless, neither the script nor the direction manage to offer anything more profound. Martin Brest heaps on the excess--the film literally glitters in luxury (the ending fireworks scene is just unbelievable). But the spectacular visuals simply accentuate the problems in Meet Joe Black; instead of fleshed-out characters, instead of a compelling narrative, instead of subtlety, it offers us lush backgrounds and swelling music. Knowing full well that the movie can't elicit audience response on its own, Brest tries to shove romance...