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...least as consumer alerts, because they devote much of their time to running film clips. But the print critics are hardly relevant to Hollywood. They may be able to help a small film, but they can't break a big one. "You always want a happy Friday," one studio exec says of critical raves. "But if the movie is an audience pleaser, it can overcome bad reviews, especially in the summer. People aren't walking in out of the heat to get art. They're looking for diversion...

Author: /time Magazine | Title: Show Business: Does This Film Seem Familiar? | 11/21/1988 | See Source »

...Sterrett Brandt, 30, until recently traffic coordinator at U.S. Recycling Industries, says she wouldn't hesitate to order chocolate tortes or cheesecake when treated to a business lunch. "Since I'm not paying, the calories don't really count," she rationalizes. In Chicago, Donna Needy, 41, a casualty-company exec, begins each weekday with a healthy dose of high-fiber Metamucil powder and follows up with a strict 900-calorie diet. But, she confesses, "the 900 calories can be anything: ice cream or Fannie May lemon butter creams...

Author: /time Magazine | Title: Food: Let Them Eat Cake! | 11/7/1988 | See Source »

...first two singles, released by a local label out of Shreveport, La. They also shared a strong sense of Randy's destiny and in 1981 were already making the rounds and plugging songs in Nashville. Finally, in 1985, a Warner Bros. Records exec tuned in on what Hatcher had been hearing for a decade and signed Travis to a singles contract. His first shot was the lilting On the Other Hand, which flopped at first, but his second, 1982, made the Top Ten. Warner signed Travis for an album, which became the 2 million- selling Storms of Life...

Author: /time Magazine | Title: Music: Trippin' Through The Crossroads | 7/25/1988 | See Source »

This movie is a handsome machine too, but with a dark, cynical streak. / RoboCop means business -- Big Business. Its plot describes a marriage of venality between psycho punks and white-collar killers, to rule a city in the near nightmare future. One exec (Ronny Cox) has devised a robot, ED 209, to patrol the streets, but ED is too slow in the brain and too fatally quick on the draw. So another schemer (Miguel Ferrer) assembles the spare parts of a mangled policeman (Peter Weller), fuses them with some state-of-the-art plumbing and creates a bionic bobby...

Author: /time Magazine | Title: Cinema: The Soul of a Blue Machine ROBOCOP | 7/27/1987 | See Source »

...censured script in hand. In past microphone tests, not knowing that he could be heard, he threatened to bomb the Russians and treat terrorists with-like vengeance. When off-the-cuff remarks mar the wholesome image he tries to project, he expects a purged "take two." But the chief exec is under the constant, unforgiving spotlight of live TV. Goof-ups are on the record, like...

Author: By Laurie M. Grossman, | Title: Not Just Another Sob Story | 3/3/1986 | See Source »

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