Word: executioner
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Dates: during 1990-1999
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Ultimately, Edgecomb must make a difficult choice in deciding between duty and right. To follow through with the execution of John Coffey would be to kill an innocent man - yet there is nothing that he can legally do to prevent it. Edgecomb himself expresses fear of damnation, for how could...
Just as actors often have burning desires to direct, music producers frequently long to be behind the microphone, and Steve Tyrell is no exception. Having contributed to the Father of the Bride soundtracks, Tyrell has decided to try his hand at a full length project, A New Standard, composed entirely...
John Coffey's powers extend beyond mere healing - he also possesses the ability to sense evil in others. He sees the violent thoughts within the deranged Wild Bill, and is repulsed by the realization that there is more to his murderous past than he is letting on. In Percy (perhaps...
A black screen masks a platform upstage and creates an amorphous and cloaked space essential to Machinal's murky insinuations. The lighting, especially because it seems to be lit from the back, creates a silhouette of figures. This space becomes the sordid space of sexual conquest, first with the boss...
...Machinal's flirtation with experimental theater achieves its completion in the last scene. The costuming is radical; both Parris and Agresta, executioners, are dressed in metallic-punk-dominatrix suits, and Gunn, the priest, wears a silver robe. The sense that all dialogue is a voice-over creates the impression that the actors are merely odd configurations of marionettes. In this scene, people have fully transformed into machines. Helen's appeals for mercy seem to be almost rays of light bouncing off the darkened stage, for she is the only lit figure. Suddenly, strobe lights destroy the darkness, and the execution...