Word: exhibitable
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...that reason, TIME is proud to be partnering with the History Channel and the National Inventors Hall of Fame to sponsor the Modern Marvels Invent Now Challenge. From now through Dec. 31, budding inventors can submit their ideas to historychannel.com/ invent. Next April, 25 semifinalists will be invited to exhibit what they've come up with at a national design exposition and participate in a daylong seminar with veterans of the invention field. Four finalists will then be selected to receive cash grants and appear on the History Channel. One of those four will be named the 2006 Modern Marvel...
...accurate description of the 140 items assembled by the National Jewelry Institute: knickknacks of the rich and famous. Who, after all, wouldn't want to see J.P. Morgan's Cartier cologne holder, right, or William Randolph Hearst's buffalo-horn drinking cup, above? Come March, the bric-a-brac exhibit will shift from the first half of the 20th century to the latter, featuring, among other items, Elvis' most utilitarian bling--his gold Dunhill lighter...
...kerfuffle at a meeting of the American Academy of Family Physicians (AAFP) in September highlighted a growing perception of conflict of interest between doctors and the corporate world. The activist organization No Free Lunch, which urges physicians to refuse all gift offers, was initially barred from an exhibit hall where corporate sponsors, including consumer-product companies and drugmakers, would be offering giveaways galore. After a deluge of calls from angry AAFP members, the academy eventually allowed No Free Lunch to set up a booth as well...
...really showed much go. But if it's genes that run the show, what accounts for the Shipps, who didn't bestir themselves until the cusp of adulthood? And what, more tellingly, explains identical twins--precise genetic templates of each other who ought to be temperamentally identical but often exhibit profound differences in the octane of their ambition...
Karl Frey lets people play with his art. For Interchange, his new exhibit at Mather House’s Three Columns Gallery, Frey painted sixteen landscapes on Lego blocks. He then disassembled them and asked friends to recompose them, thus actively involving the viewers in the process of art-making. Suddenly, art was participatory, an experience that involves what Frey refers to in his work statement as the “perceptional patterns of the culture.” That culture and its concurrent style is a movement rooted in American pop art that aims to make art accessible...