Word: exhibited
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Dates: during 1960-1969
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...them hurl themselves at a blank canvas while he shouts directions from a stepladder. By such tricks, Klein has become at 32 the fad of gallery-going France, and his prices have risen fourfold in the past two years. Last week he invaded West Germany with an eyebrow-raising exhibit in the textile town of Krefeld, twelve miles northwest of Düsseldorf. The good people of Krefeld hardly knew what to make...
...that for a long time seemed too staid and static for modern tastes. Since World War II, museums on both sides of the Atlantic have been fighting for the few surviving works of the 17th century master Georges de La Tour. Last summer, the Louvre put on the biggest exhibit of Nicolas Poussin ever held...
...unawareness may not last much longer. For ten years a small group of European and U.S. critics has been calling attention to the half-forgotten Austrian expressionist Egon Schiele, who died 42 years ago at the age of 28. The critics' campaign finally inspired the first major U.S. exhibit of Schiele's works. The show has been to Boston and Manhattan, will in time reach Pittsburgh and Minneapolis. Last week it opened at the J. B. Speed Museum in Louisville, at the very moment that a second Schiele exhibit was being made ready at the Felix Landau gallery...
...shown in public (see color). Norwegians have been so eager to see the show that the railroads offered special rates to take people to Oslo. Apart from some paintings, apparently bought more for prestige than merit, the collection as a whole dazzled both public and critics. This week the exhibit packs up to start a grand tour that will take it to Copenhagen, Stockholm, Hamburg, The Hague, Zurich, Paris, London and possibly New York...
...similar Christmas-shopping sprees across the land, art-conscious Americans cleaned out nearly a fifth of the stock during the first five hours of the University of Chicago Renaissance Society exhibit (its title: "Contemporary Art for Young Collectors"), bought $22,000 worth of art from the St. Louis City Art Museum. Manhattan's Galerie Felix Vercel summed up the nationwide trend by advertising a show of "Big Names in Small Sizes." The names were indeed big - Pissaro and Utrillo - and the pastels were indeed small; the prices were...