Word: exhibited
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Dates: during 1960-1969
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...Association and the 2,863,000-member United Church of Christ, canceled plans for conventions in Chicago. The withdrawals will cost the world's largest convention city some $7,000,000. A group of 50 painters and sculptors, among them Roy Lichtenstein and Robert Motherwell, will refuse to exhibit their works in Daley City for the next two years...
...grace an international exposition will not open at Expo 70 in Osaka, Japan, two years from now. The United States Pavilion, a spherical, 130-ft. air structure commissioned last October by the U.S. Information Agency, is the casualty of a $6,000,000 congressional cut in appropriations for the exhibit. Expo Chief Architect Kenzo Tange calls it "an incalculable loss that will hopelessly upset Expo's overall plans...
...USIA is equally unhappy. Expo 70 will be the first world's fair in Asia, and the congressional cutback will cause considerable loss of U.S. prestige. Last week architects and interior designers fought against deadline odds to come up with alternative plans for a new exhibit that will cost approximately $10 million. At the same time, a Soviet delegation dedicated the construction site of the $20 million Russian pavilion. In solitary splendor, it will soar 300 ft. high, just to the north of where its U.S. counterpart would have stood...
...century; he went on to teach at Sarah Lawrence College, became art adviser to Nelson Rockefeller, for whom he collected all manner of masterpieces, and helped organize Manhattan's prestigious Museum of Primitive Art. At the Museum of Modern Art, he proved both a brilliant fund raiser and exhibit organizer, putting on more than 20 shows yearly, among the most notable of which was the huge (290 items) 1967 Picasso retrospective...
Tatlin's constructivist ideas were inspired by a visit to Paris, where he saw Pablo Picasso's cubist collages. He returned to startle Moscow in 1915 with an exhibit of totally abstract collages made of tin, piping and paper. "Scandal!" cried the critics. Tatlin responded by coining the word constructivism, indicating that his art was essentially creative rather than destructive. Malevich, Gabo and others thereupon declared themselves constructivists...