Word: exhibited
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Dates: during 1960-1969
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This issue has little poetry in it, but Deborah Eibel's two offerings make up for that with quality. Both exhibit a capacity for tightly restrained eloquence that is unique among the poems printed in student publications this year...
Satanism & Embroidery. The largest Beardsley exhibit ever shown opened last week in London's Victoria and Albert Museum. And though the artist's work seemed to critics of his time as saccharinely pornographic as orgies sculpted in marzipan, the exhibition recalls his widespread influence. Norwegian Expressionist Edvard Munch based some of his violent images directly on Beardsley drawings. The ballet impresario Daighilev had sets designed from Beardsley. Kandinsky and even Picasso were admirers. Beardsley's sense of abstract design even relates to the hard-edge abstraction practiced today...
Phillips Brooks House will exhibit all sorts of faces from 12 noon to 5 p.m. today. Photographs of "kids, patients, lovers and old rolks they say or even "hunger, need, want, love, hope and despair" it you look closely enough...
Crook's plan, which is still in its earliest stage and could not begin before 1967, would cost approximately $50,000 to $*00,000. This money would be used in part to bring a "critic, scholar, or artist" to Harvard to create a museum exhibit. It would also pay for a summer program coordinator to work part time during the winter academic year and full-time during the summer...
...these interested in the technicalities the exhibit raises questions about "expressions of order and system in space and time, namely with the symmetry of regular and semi-regular mossics and polyhydra, and with the transformations and interrelations between these ordered structures...