Word: exhibited
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Dates: during 1960-1969
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PEPSI-COLA'S UNICEF exhibit features an indoor boat ride through a wonderland of Disney dolls, representing children of every country and culture, all wildly singing and dancing to a mad little tune called It's a Small World. This particular ride is a must for all children, also charms many adults...
GENERAL MOTORS' Futurama suffers in comparison with its famed 1939 exhibit. The reason perhaps is that the future has come upon us so hard and so fast that the once-incredible magic of what's next now seems all too believable. And Futurama '64 is annoyingly hard to see, with its one-glance-and-you're-past dioramic layout-a sad comedown from Futurama '39's magnificent panoramic display...
Slow Shows. Most fair-minded patrons allow that the trip on the whole is worthwhile-but many also find plenty to criticize. The grounds cover 646 acres, and it is a tiring trudge from exhibit to exhibit. Visitors who have their minds set on seeing the main attractions spend a good part of a day standing in queues. Transportation is expensive: it costs $3 just to board a Greyhound escorter-if you can find one. The hardest thing of all to track down is a cool soft drink, and even that entails waiting in line...
...Fifteen years ago, says French Art Expert Maurice Rheims, "no one except King Farouk would have thought of buying Gallé vases." But tastes change. The art-nouveau revival dates from 1952, when London's Victoria and Albert Museum organized a great retrospective exhibit. In Germany, where the sway of the Jugendstil (as art nouveau was called there and in Austria) had been total and the counterblow of the 1920s most radical, rediscovery began in 1958 with a big show at Munich's Haus der Kunst. In the U.S. the comprehensive 1960 "Art Nouveau" exhibit at New York...
...spate of exhibits over the past two years, including a showing at this summer's Venice Biennale, and major sales to private collectors and galleries, including one for the sculpture garden at Manhattan's Museum of Modern Art, have drawn Ipousteguy to the top rank of France's sculptors. Now 44, he gravitated to sculpture after years as a painter and grade-school art teacher, a job he kept until two years ago. He turned to sculpture in 1949 because "with its denser aspects it is more suitable to my expression, which is often closer to sadness...