Word: exhibited
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Dates: during 1970-1979
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...roadside trading posts and flea markets, are slowly gaining legitimacy as art forms. Whether heralded as a new renaissance in populist art or condemned as regression, the surge in craft as art is a reality, and has invaded Harvard at Hilles Library in the form of a pottery exhibit, "Fire and Clay...
...difficulties of accepting crafts as pure art are exemplified by the exhibit. Although the pieces are beautiful and sensitively mounted on cork slabs, they are ultimately only exercises in one method of making pottery--the wheel method. The wheel method operates on much the same principle as a lathe. The medium (in this case clay) rotates so that all applied distortions become symmetrical and unified; abstraction becomes constricted. The other methods of pottery include slab construction, in which the potter joins planes of clay to make rectangular or free-form shapes, and coil construction, in which he carefully rolls cords...
...three children exhibit tremendous benefits. They show far more independence and self-confidence than we see in children who attended private or suburban schools. Their national test scores are high and their values all we hoped...
From time to time the President did exhibit odd grace notes. He expressed deeply felt concern for Hunt, whose wife Dorothy was killed in a plane crash in Chicago. He worried about "poor Bob" Haldeman, who was "totally selfless and honest and decent" but because of Watergate was "going through the tortures of the damned." There were even attempts at humor, albeit rather heavyhanded. For example, Nixon joined in the merriment on March 22, 1973, when Haldeman joked that "John says he is sorry he sent those burglars in there" and that he was glad
Once he had developed this structure, Pope went on to explain how an artist, by manipulating one of these three elements, could create the illusion of space or light, could create a mode in his work that is linear, sculptural, pictorial or visual. The exhibit uses familiar works from the Fogg's collection-works by Picasso, Matisse, Renoir, Copley and Tiepolo-as examples of these modes. The idea is grand, but a grand result never materializes. The exhibit is not organized with the idea that someone who knows nothing about color might want to explore it. That jargon is obscure...