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...shops of Avenue Montaigne, Paris remains the world capital of beauty. And this spring, half a dozen Paris museums are offering a sweeping survey of artistic beauty through the centuries, from medieval mysteries to contemporary concepts of the artist as odd man out. The whirlwind of new exhibits kicked off with Joan Miró (1917-1934), The Birth of the World, which runs until June 28 at the Centre Georges Pompidou, offering almost 240 paintings, drawings, sculptures, collages and constructions from the Catalan artist's early years, as he constantly experimented with themes, technique, style and color. The show...

Author: /time Magazine | Title: The Capital Of Beauty | 3/14/2004 | See Source »

This ongoing exhibit presents a close look back at the careers of painters Gregory and Frances Cohen Gilespie. The exhibition consists of 25 paintings in all, and is a representative look at the influential styles of both artists. The two artists catch the interest of many because of the way in which they influenced each other through their portrayals of realism in early Italian and Flemish painting. Runs through March 28. Sackler Museum...

Author: By The Crimson Staff, THE CRIMSON STAFF | Title: Happenings | 3/12/2004 | See Source »

...Crimson stuck to its general pattern by opening the match with a strong, decisive victory, before dropping the next two games in the face of the talented Roger Williams’ attack. Harvard stayed close to the Hawks in games two and three, but did not exhibit the energy with which they had entered the match...

Author: By Caleb W. Peiffer, CONTRIBUTING WRITER | Title: M.Volleyball Falls Short | 3/11/2004 | See Source »

Blier, one of the panelists, discussed her experiences as a historian of African art and her struggle to get African works into the Fogg Museum—which she said she’d thought was a losing battle until the museum’s recent decision to exhibit African works...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: Africa Week Spotlights Cultural Achievements | 3/9/2004 | See Source »

...blind to Hilles’ faults. It has water-stained carpets, an exhibit space that has no exhibit, an unpopularity amongst undergraduates so decimating that it has a post-apocalyptic feeling. But I love Hilles— the way it looms, bright-lit, above you suddenly as you leave Garden Street, its layered staircases as complex as those in an Escher engraving; the way the low-slung Scandinavian Modern chairs bear mismatched cushions, piled in quixotic efforts to render them more comfortable; the way that you can claim entire floors for yourself—an impossibility in densely-peopled Lamont...

Author: By Phoebe Kosman, | Title: Heading for Hilles | 3/8/2004 | See Source »

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