Word: exhibiter
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Dates: during 2000-2009
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...debate has raged for decades: is he Jewish, Methodist, Kryptonian Raoist? But finally, it's been settled: Superman is definitely... a non-Aryan Protestant. The complex origins of many a comic book character are deconstructed at the engaging and erudite exhibit, "From Superman to the Rabbi's Cat" - through Jan. 27 at the Museum of Jewish Art and History in Paris - which explores the impact of the Jewish experience on the evolution of the comic strip and graphic novel...
...Like their characters, many of these artists took on dual identities, says author and comic book historian Didier Pasamonik, a consultant on the exhibit: "There was a kind of diffused anti-Semitism at the time, and it was better to use a good American commercial name to reach the wider public." Even as Robert Kahn had become Bob Kane and Jacob Kurtzberg worked as Jack Kirby, their superheroes reflected some of the identity they were masking, evoking Jewish concepts such as tikkun olam (repairing the world through social action) and legends such as the Golem of Prague, the medieval superhero...
...Gladiator”) uses quick cuts to and from close-ups of Lucas’ eyes and his surroundings to emphasize the careful analysis of a black man trying to operate in a world where business, crime, and everyday life are synonymous. At times, Lucas needs to exhibit his ruthlessness in order to gain respect. For this reason, “American Gangster” deviates from “The Godfather” by presenting sometimes painfully detailed violence. The opening scene of the movie, for all intents and purposes, shows Lucas and his mentor dousing a man with...
...claims and false analogies, it fails to provide nuance in its central criticism (after calling for more nuance from Catherine MacKinnon). Crucially, it fails to even mention the staggering levels of rape and male violence against women—MacKinnon’s “exhibit A” against pornography...
...wars notwithstanding, Venice's relations with Islamic empires were deep and their influence enduring. The city's world-renowned Murano glass industry employed techniques learned from Anatolian workshops, while Venetian bookbinders and cartographers imitated their Arabic counterparts. One of the exhibit's showcase pieces - a hallowed marble throne from the Church of San Pietro di Castello in Venice - features a backrest that is actually a tombstone brought from Syria, still inscribed with Koranic scripture. The throne "tells a story," says curator Stefano Carboni, "of cultures in tune with each other, of mutual understandings." Venice declined as other European navigators explored...