Word: exhibiter
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...from the 19th century and the first half of the 20th embody the taste of the local bourgeoisie: allegories to foster self-improvement, biblical scenes to inspire the faithful, nudity domesticated by classical settings, society ladies frozen for posterity in tight waists and inflated hairstyles. In contrast, a fashion exhibit features more relaxed garments from the '20s to current couture. The original collection has also been boosted by loans from the likes of the Musée d'Orsay, adding works by Tamara de Lempicka, who painted celebrities of the '30s in their designer glad rags, and Raoul Dufy, whose...
...PaceWildenstein Gallery is located at 32 East 57th St., New York City. The Mark Rothko: Realist Years exhibit closes tomorrow...
...Arafat has ordered an inquiry and promised to punish any member of his administration involved. He also hinted that even in the PA, "there are things that take place outside my realm of jurisdiction." That was unlikely to even slow Sharon's momentum in proclaiming the Karine A as Exhibit A in its case against any further dealings with the Palestinian leader. The crisis for Arafat provoked by the ship's capture raged not only on the diplomatic front where both sides continue to court the United States; it also undermined his position at home. While Arafat unconvincingly condemned...
...Island Army Photographer, to Harold H. Costain, a photographer for Town and Country. The contrast between the stark, geometrical lines of the house and its surrounding organic landscape made for stunning photographs, a fact that the prominent architectural photographer G.E. Kidden Smith immediately noticed. At the end of the exhibit, a compilation of Brown home videos is shown to display the Browns’ encounter with modern architecture. The video has no sound, however, and fails to hold the viewer’s interest—which is too bad, as the video documents important influences in the Browns?...
Unfortunately, this exhibit fails to fully address the issues of artistic permanence that the ill-fated Windshield project necessarily occasions. It is notoriously hard to mount an exhibition about architecture; the finished project usually cannot be exhibited, leaving only secondary sources—photographs, drawings or models—to convey an artistic sentiment. While the Windshield exhibition does a commendable job in giving a sense of the house through these sources, it never engages with the larger issues of creation and permanence that the exhibition itself raises...