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Word: exhibiting (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...reflection of what Picasso actually did, makes one, subconsciously perhaps, judge his work according to the aims and standards of each period; what we really want, however, is a more comprehensive judgment, one which is based upon what we think art should be rather than what Picasso or the exhibit catalogue thinks art should...

Author: By John Wliner, | Title: Collection & Critiques | 5/22/1940 | See Source »

...sense only can I say that this exhibit is apt to give a false impression: certain standards of excellence are attributed to the artists whose works have been copied and these standards are pre-supposed for the purpose of distinguishing more clearly between what is genuine and what is not. This may lead one to believe that Raphael for example, never produced a poorly executed painting, or that Constable never failed to gain his desired effect, or again, that Corot was always successful in the creation of his shimmering landscapes. It should be understood that even the greatest artists must...

Author: By John Wilner, | Title: Collections & Critiques | 5/15/1940 | See Source »

...current exhibit at the Fogg Museum, "Art, Genuine or Counterfeit," is successful because it places little emphasis upon the highly technical methods by which a true painting can be distinguished from a false one. By limiting the scope of its explanations to what can actually be seen by the spectator, the demonstration avoids that laboratory amosphere into which it so easily could slip...

Author: By John Wilner, | Title: Collections & Critiques | 5/15/1940 | See Source »

...paintings from the thirteenth through the nineteenth centuries are shown side by side with their respective counterfeits. Examples include pieces by Bellini, Raphael, Constable, Corot, Guardi, Ingres, and Durer. Egyptian, Greek, and Italian Renaissance sculpture, together with Chinese and Aztec figures in stone, complete the main body of the exhibit. Forgetting the line of demarcation which can be drawn between the false art and the true, it can be said that many of the examples shown are products of great craftsmanship and skill. The counterfeit Raphael as well as the Constable indicates that the forger can often be placed within...

Author: By John Wilner, | Title: Collections & Critiques | 5/15/1940 | See Source »

Showing the work done by the Paint Testing and Research Laboratory of the Massachusetts W. P. A. the exhibit will display panels and photographs showing how artists' materials. Principally oils are tested by chemical, microscopic, and physical methods...

Author: NO WRITER ATTRIBUTED | Title: Methods for Testing Paint Materials Shown | 5/10/1940 | See Source »

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