Word: exhibiting
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Since this is my final official Crimson column, it’s tempting to end on an upbeat note. Surely, every Harvard graduate’s unique talents will exhibit themselves in the Real World. Progress, Integrity, and other capitalized words will guide our way because Harvard has instilled superior quality values and knowledge in our outsized crania. Harvard grads will take the long view in the Real World, eschewing easy rewards for lasting improvements...
...attachment to the old and familiar, it appears, extends even to his choice of automobile. Back in 1969, the young army colonel who led the conspiracy against King Idriss, smuggled men and weapons around Libya in a battered turquoise Volkswagen Beetle, which is a popular Libyan National Museum exhibit. So it was not surprising that when Gaddafi said goodbye to his visitor and climbed into the passenger seat of a waiting car, it was a brand-new, metallic blue...
Ever wonder what would happen if two of Paris' greatest art museums put their heads together? In a rare collaboration with the Louvre, the Pompidou Center's National Museum of Modern Art is hosting "Tête À? Tête," an exhibition dedicated to all facets of the human head. By juxtaposing works like a Cycladic marble (ca. 3,000 B.C.) and Constantin Brancusi's stylized bronze Sleeping Muse (1910), pictured, the exhibit, which runs through Sept. 4, invites visitors to consider the head as the birthplace of thought, emotion and identity. Dominating the exhibit foyer is a giant...
Ever wonder what would happen if two of Paris' greatest art museums put their heads together? In a rare collaboration with the Louvre, the Pompidou Center's National Museum of [an error occurred while processing this directive] Modern Art is hosting Tête à Tête, an exhibition dedicated to all facets of the human head. By juxtaposing works like a Cycladic marble (ca. 3,000 B.C.) and Constantin Brancusi's stylized bronze Sleeping Muse (1910), the exhibit, which runs through Sept. 4, invites visitors to consider the head as the birthplace of thought, emotion and identity...
...Dominating the exhibit foyer is a giant sculpture, Cosmos (2001), by contemporary French artist Boris Achour. Made of dyed resin, the cartoonish noggin with protruding nose rotates in space while humming a Brazilian lambada; the sound evokes an artist contentedly at work and fills the lively, labyrinthine exhibit with creative energy. Other artists prefer to turn their heads, well, on their heads. Sébastien Leclerc's 17th century engravings representing a range of emotions face off with an interactive portion of the exhibit in which children can assemble magnetic eyes, ears, noses and mouths on a wall to create...