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...Since then, Antonakos has kept the boxes while the suspense around them grew. He had intended the Time Boxes as a private experience, but decided, as the millennium neared, to exhibit them at the Rose Art Museum at Brandeis, and to hold the opening ceremony on the school's campus. Antonakos designed the portentously titled "Neon Millennium Room" inside the Rose, where the boxes were exhibited while unopened, and where their contents are now on display. The walls bracketing the doorway are painted in saturated blue and red-orange, and a little vestibule stands between the observer and the room...

Author: By Kristen Butler, CONTRIBUTING WRITER | Title: Better than Christmas | 3/3/2000 | See Source »

Richards, a noted poet and lecturer at Tufts University, is having his first exhibit at the Gallery Bershad. Richards's companion for the show is artist Karen Boutelle, whose mixed-media wall-hangings are more visceral than Richards's pale metal sculptures. Boutelle's "Ambivalent Passages" looks like an open gash with blood pouring forward in hues of petrified amber. But her most spectacular piece, "Ambivalent Passages III," seems to defy this straight sanguine categorization. The layers of cheesecloth, beeswax, shellac, oil bar, paint and rice paper that Boutelle uses in her art are here transformed into a composition reminiscent...

Author: By Teri Wang, CONTRIBUTING WRITER | Title: Visual Art Review: Peter Richards and Karen Boutelle | 3/3/2000 | See Source »

...However, at the end of the first exhibit hall, gaming does get some of its due. A brief series of panels on a wall describes the gaming operation and its impact upon the community. Next to these, a mocked-up slot machine stands as a model of what has brokered the reservation's transformation. As I read one of the panels, the whitest man I have ever seen, complete with massive gut, Boston accent and wife in tow, passes in front of me, headed for the slot machine. He looks around nervously and surreptitiously removes his wallet from his back...

Author: By Robert J. Coolbrith, | Title: Fifteen Minutes: Reservation for One: One man, one hundred dollars and 15 hours at Foxwoods and Mohegan Sun | 3/2/2000 | See Source »

...last exhibit space of the museum, there is a gallery of portraits of current members of the Mashantucket Pequot Tribal Nation, with quotes from many of them. All of these photographs depict people whom I would visually identify as either white or black, not Indian. Below the photograph of Regina Kirchner, whom I would identify as white, reads the following: "My mother never talked about being Pequot, so it's hard for me to have this feeling about being Indian. I really feel I'm living between two worlds, you might say. I'm trying to get back some...

Author: By Robert J. Coolbrith, | Title: Fifteen Minutes: Reservation for One: One man, one hundred dollars and 15 hours at Foxwoods and Mohegan Sun | 3/2/2000 | See Source »

...also gives the entire community a chance to experience and appreciate the creative energy in the playwrights' works. Unlike poets and writers who have the opportunity to submit their work to the various literary publications on campus, student playwrights don't have many avenues that allow them to exhibit their work to their peers. Edith Bishop '00 explains, "I think it's important that the theater community show support for playwrights. It's important to celebrate all parts of the artistic process." Bishop's play, Hurricane Journals, concerns one woman's efforts to comes to terms with the loss...

Author: By Yvonne Garcia, CONTRIBUTING WRITER | Title: Playwrights in Residence | 2/25/2000 | See Source »

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