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...compare each piece in the show with that of a well-known artist of the contemporary canon. A still life by Barnet Rubenstein can be likened to the work of Wayne Thiebaud, or an oil-and-wax painting by David Ortins seems like a disciplined Franz Kline. Yet this exhibit demonstrates that this is precisely not the point; the works are to be judged on their own terms, within their own visual languages. If anything, the most liberating aspect of the show is its unfamiliarity. It is the experience of thinking and seeing on our feet. It is the desire...

Author: By Kirstin Butler, CRIMSON STAFF WRITER | Title: Fresh Produce: Art from Boston | 2/18/2000 | See Source »

...Days after seeing the exhibit, these people in his pictures float unbidden to the surface of my mind. Hilliard has carefully created the situations in the photo, down to the pictures on the front of the cards and the empty water bottle lying in the grass. Every detail is put there to tell the story of the subject, but the final story is left to the viewer. He must interpret these details. Perhaps it is because Hilliard only works with people he knows very well, or perhaps it is because everything is so carefully staged, or maybe it is because...

Author: By Lauren M. Hult, CRIMSON STAFF WRITER | Title: The World Is My Studio: David Hilliard's Technicolor Tableaux | 2/18/2000 | See Source »

...refocusing its marketing too. Its television-ad campaigns have been so dynamic that the 1998 series (khaki swing, khaki groove...) is included in the Whitney Museum of American Art's retrospective exhibit of the 20th century. But the company lost its advertising director, Lisa Prisco, and even good advertising can't move mediocre merchandise offered in a less than dynamic setting. Gap is shifting a portion of its $500 million marketing budget away from TV to make bigger in-store statements, using devices such as interior billboards. "We're focusing on dominant market imagery in the store," says Wilson...

Author: /time Magazine | Title: Mend that Gap | 2/14/2000 | See Source »

...think so. I first went to London when I was 15 or 16 with my art teacher. I went around all the galleries and thought "Wow, this is amazing." It just blew me away and I decided to become an artist. I wanted to exhibit at the Tate...which I have now done. It's just fantastic to have that idea when you're 15. But it seems like an almost useless thing to do, it would seem to be just for people to look at, and be great treats for people's imaginations. But I think...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: Sculptor Parker Takes Boston | 2/11/2000 | See Source »

Parker is already well-known in her native England: she was nominated for the Turner Prize in 1997 and had a solo show at the Serpentine Gallery in 1998. But the exhibit now showing exclusively at the ICA is Parker's first stateside museum survey. It is a mesmerizing show, covering a decade of her magical and witty work...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: The Blow Up: Hypnotist-Collector Cornelia Parker Comes to America | 2/11/2000 | See Source »

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