Word: exhibitioner
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NEW YORK--It may be impossible to finger the zeitgeist of contemporary art, but lucky for us the Whitney Museum would rather die than give up trying. Critics, however, would probably have killed the Whitney Biennial, the museum's signature showcase of contemporary art, years ago if it weren't...
Although the present Biennial avoids making a synthetic statement, the exhibition provides a great excuse to display an assortment of excellent new art. Given the diversity of contemporary visual practice and the widely accepted premise that all curating is somehow biased, it's no wonder that co-curators Lisa Phillips...
New technology is employed both as a medium and as a subject in the exhibition's well-chosen video art. Noteworthy videos include Kristin Lucas' frank, neurotic monologues on life in the technology age, Cable Xcess and Host. Both of Lucas' videos ironically demonstrate the double bind in her masterful...
Compared to the '95 Biennial, which featured such American greats as Richard Serra, Robert Ryman, Agnes Martin and Cy Twombly, Phillips and Neri have placed more emphasis on newly emerging artists. This generational shift seems exceptionally welcome in light of the rather uncompelling contributions by the '97 Biennial's more...
Installations like Kabakov's and Glen Seator's full-scale model of the museum director's office tilted at 45 degrees, are some of the most striking pieces in the show. Charles Long and Stereolab create a terrifically funny and participatory "lounge," the Amorphous Body Study Center. Here visitors can...