Word: exhibitioner
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There could perhaps be no better (or worse, depending on your religious inclination) day to open a blasphemous art exhibition than Good Friday. As many Irish Catholics were dutifully attending church, a group of young, well-dressed Dubliners gathered in the Irish Museum of Contemporary Art to view an exhibition...
The first artwork to greet the visitors to "Blasphemous" is a grotesque variation on Michelangelo's Pieta, with the Virgin Mary transformed into a malicious giant rat. Next is a multimedia piece called Resur-erection that references the Irish Catholic sex-abuse scandals of recent months and features stop-motion...
The statute at the heart of the exhibition, which came into effect on Jan. 1, is actually an update to a dormant blasphemy law that had been included in Ireland's 1937 constitution but proved too vague to be enforceable. A parliamentary committee set up to overhaul the constitution issued...
The exhibition, “If Organizing is the Answer, What’s the Question?” was created by Chilean artist Cristóbal Lehyt after he spent two years in the office of Harvard Law School’s Labor and Worklife Program exploring the history...
The run of Lehyt’s exhibition overlaps with a musical on campus also dedicated to labor. On April 2, first-time director Brandon J. Ortiz ’12 opened “Working”, a musical written by Stephen Schwartz and Nina Faso that celebrates workers...