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Bettie could have done burlesque; she had the fan base and, heaven knows, the moves. She did appear in three filmed burlesque shows: Striporama (1953), Varietease (1954) and Teaserama (1955). But for Bettie and her fans, a public exhibition couldn't compete with a private audience. As mail-order products...

Author: /time Magazine | Title: Bondage Babe Bettie Page Dies at 85 | 12/11/2008 | See Source »

In cultural terms, Chinese revolutionary zeal is often remembered more for what it destroyed - temples, monuments, reputations, lives - than for what it created. But "Art and China's Revolution," an exhibition at the Asia Society in New York City until Jan. 11, presents a fascinating look at an artistic development...

Author: /time Magazine | Title: Seeing Red | 12/11/2008 | See Source »

Aside from a group of identical stainless-steel sculptures of Mao, created by Qu Guangci in 2003, the exhibition displays no contemporary works, nor does it attempt to explain the link between the paintings and posters on view and the current Chinese art scene that draws so much from them...

Author: /time Magazine | Title: Seeing Red | 12/11/2008 | See Source »

Unlike their contemporary counterparts, revolutionary artists painted without cynicism and with plenty of socialist ardor. That doesn't mean that their work was immune from interference or mishandling. When Shen Jiawei's Standing Guard for Our Great Motherland - a heroic masterpiece of three guards in a watchtower high above a...

Author: /time Magazine | Title: Seeing Red | 12/11/2008 | See Source »

Strings extend across the Adams Art Space like lasers, both encouraging exploration of the space and prohibiting it. These boundaries present the artistic goals of Trevor J. Martin ’10 in his two-room exhibition “through/within/without”: to examine and problematize one?...

Author: By Matthew H. Coogan, CONTRIBUTING WRITER | Title: SPOTLIGHT: Trevor J. Martin '10 | 11/21/2008 | See Source »

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