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The photographs in “Adventures in IR-Land” are grey and strange, with a slippery artificiality that has the effect of collapsing distance. That is to say, they look like Mather House, except they’re beautiful. Currently on exhibition in Mather’s...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: IR-Land Comes to Three Columns | 10/5/2006 | See Source »

Many a Sunday brunch has been ruined when I open the New York Times—eager to read an in-depth feature about this month’s offerings at the Museum of Modern Art—but find instead a rave review about an opening in Berlin. The...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Non-Digital Art? That's so 20th Century | 9/30/2006 | See Source »

Intimate and serene, Sharon Lockhart’s “Pine Flat” collection is a beautiful, yet ambiguous exploration of the lives of children in a small community in Eastern California. Culled from films and photographs made by Lockhart during her three-year part-time residency in...

Author: By Jeremy S. Singer-vine, CRIMSON STAFF WRITER | Title: A Dream of Rural Still Life | 9/28/2006 | See Source »

Imagine two white doors, so gigantic - nearly 4 m tall - that you feel like Alice in Wonderland. Now think of them dancing on rails through an immense, vacant space, twirling as they go. This is Gates, an installation in French artist Pierre Huyghe's multimedia exhibition "Celebration Park," the other...

Author: /time Magazine | Title: The Question Maker | 9/26/2006 | See Source »

show that marked the reopening of the Museum of Modern Art of the City of Paris early this year before moving to Tate Modern in London. "Doors are something that define territory, right?" says Huyghe of his metaphor. "But as the doors are moving, and there are no walls, then...

Author: /time Magazine | Title: The Question Maker | 9/26/2006 | See Source »

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