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Perhaps this is why several of the artists featured in this show moved on soon after the period from which this work is taken. By the late 1960s, Hans Haacke had largely retreated from the experiential issues explored in works like “Wave” and began to...

Author: By Julian M. Rose, THE ANGEL OF POST-MODERNISM | Title: ‘Dependent Objects’ at the Busch-Resinger | 10/15/2004 | See Source »

Do I agree with Poseneenske’s implication that these kinds of dependent objects are largely useless? I can’t say. But I can tell you that on my way home from the exhibition, I stopped to look at the shadows formed on a patch of grass...

Author: By Julian M. Rose, THE ANGEL OF POST-MODERNISM | Title: ‘Dependent Objects’ at the Busch-Resinger | 10/15/2004 | See Source »

Architect Alejandro Aravena presents X, his largest United States exhibition featuring ten projects. The exhibition also presents the entries for the ELEMENTAL competition for the design of public housing projects in Chile. Gund Hall Gallery. (JSG)

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 10/15/2004 | See Source »

The Busch-Reisinger Museum presents an exhibition of sculpture by artists who were ambivalent toward the media. “Dependable Objects” presents the works of German artists beginning in the 1960’s including works by Franz Erhard Walther, Hans Haacke, Charlotte Posenenske and Gerhard Richter...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 10/15/2004 | See Source »

SEVEN WEEKS BEFORE ITS reopening, the Museum of Modern Art (MOMA) is not quite ready for its close-up. For one thing, the sculpture garden, one of Manhattan's best places to kick back on a nice day, has no sculpture and no garden. And the six-story glass wall...

Author: /time Magazine | Title: Design: The Bigger Picture Show | 10/11/2004 | See Source »

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