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Word: exhibitions (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Earnest is a comedy of manners--not a duplication but certainly a parody of the manners of Society in the English 1890's. Its characters are frequently rude on purpose, never by accident; they often exhibit bad manners, but it is impossible to conceive of their having no manners--unless, evidently, you are Stephen Aaron, who directed this production. Mr. Aaron: a gentleman never sits while a lady is standing, especially if the lady is a Lady, and no less if "she is a monster, without being a myth, which is rather unfair." Moreover, a fashionable young...

Author: By Julius Novick, | Title: The Importance of Being Earnest | 3/10/1959 | See Source »

...devotee of art in the University Community, activity in the Fogg Museum is no stranger. Behind the quiet of its galleries, he sees the active aspects which the casual visitor is likely to miss, the careful arrangement of a special exhibit or intense study for a Fine Arts 13 exam, the photographing of an ancient sculpted head or the creation of a new piece of sculpture. Available to all, however, is the distinctive atmosphere of Fogg's pleasant corridors and light-bathed courtyard...

Author: By David Horvitz, | Title: A Visit to the Fogg | 3/7/1959 | See Source »

Organized under the direction of Michael Strauss '59 and Michael MacDonald '60, the exhibit consists entirely of undergraduate-owned works of art, and includes paintings, drawing, graphic art, and sculpture. Its purpose is to encourage collecting and to demonstrate Harvard's activity in the art world...

Author: By Bartle Bull, | Title: 'Student Collections' Opens Before Capacity Audience | 2/12/1959 | See Source »

Among the vigorous admires of the exhibit were Elliott Perkins '23, Henry Steele Commanger, Jr. '54, Marshall Cohen, and Kenneth S. Lynn '48, "This seems to be," observed one first nighter of the crowd around him as he drained his glass, "Harvard's cultural Four Hundred...

Author: By Bartle Bull, | Title: 'Student Collections' Opens Before Capacity Audience | 2/12/1959 | See Source »

...themselves, but were always available. Cushing had ordered a huge (7 ft. by 12 ft.) relief model of Squaw Valley at a cost of $2,800, had it shipped to Paris for $3,000. The monster proved so big it would not fit through the door of the I.O.C. exhibit room, but after lodging was found for it down the street, delegates went out of their way to go see it, thereby giving the Americans a chance to practice the soft sell away from competing exhibits...

Author: /time Magazine | Title: Sport: Bonanza in the Wilderness | 2/9/1959 | See Source »

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