Word: exhibitions
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These spaces are, to varying degrees, children of the alternative-spaces movement of the 1970s, which was a great push on the part of artists to create their own institutions to exhibit their own work just the way they want, without having to deal with stuffy curators or pushy gallery directors looking for the next big-bang art star. Some of the spaces now in Boston, like Bromfield and Mobius, started in the '70s; others have started up more recently, but with much the same spirit. While a few spaces, like Kingston and Mills, resemble commercial galleries, most are more...
...occasion to announce themselves as Rockwell converts or as closet fans all along. Anytime the higher echelons of the culture industry set out to show how they're in touch with ordinary folks, they risk sounding like George Will when he writes about baseball. But this exhibit is an indicator of a real impulse in the art world lately to find vitality wherever it's to be found, now that the energies that moved modernism have long ago run aground. Perhaps for the first time in history, it's truly possible to ask an essential question: Can you take seriously...
...Nostradamus were alive today, his job would be safe, at least from the misguided futurists on Wall Street. Exhibit A is a gutsy little tome penned 10 years ago called A View from the Year 2000. As a device to forecast the '90s, Shearson Lehman Hutton looked back on a decade that hadn't yet happened. The first thing you notice in the report, though, isn't some way-out prediction--it's that the names Shearson and Hutton are about as familiar to investors today as were Dell and Cisco to analysts a decade ago--which...
...Rothko's later paintings, half-jokingly described as "beach blankets", by Professor James Cuno, Director of the Harvard Art Museums, exhibit the potential for spiritual connotations. Indeed, there are as many possible interpretations of Rothko's artwork as there are opinions on the validity of modern art. But none is so evocative as the initial apprehension expressed by the Corporation about the Rothko commission. The walls of Harvard buildings, up to this point, had only been occupied by portrait after safe portrait of this or that Harvard luminary. At that time, the University was more a champion of contemporary architecture...
...lost a major marketing chance when they refused to let Pixar use their infamously-proportioned doll in the first film). Also in the fray are Wayne Knight's villainous Al McWhiggen, a proprieter of a nearby toy store who dreams of selling Woody to a Japanese museum (why Japanese? Exhibit A of Pixar subversiveness); Jesse and Stinky Pete, the missing figures in "Woody's Roundup"; and, of course, Zurg, the Darth Vader of the cartoon world. It's mass chaos most of the time, but that's the fun of the Toy Story universe. Blink...