Word: exhibitions
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...wanted to design a Lakota-centric exhibit,” McLaughlin said, as she described the museum’s conscious effort to include a Native American in the process of producing the exhibit. “I was supposed to provide a non-[American] Indian perspective when necessary...
...bridge the potential cultural divide, McLaughlin worked with Thunder Hawk to make the exhibit into a sensory experience that immerses the visitor in the sounds, images, and even smells associated with Lakota culture. “We thought about how people experience cultures,” McLaughlin says. “We decided that it had to be ambient and appeal to people’s senses—[to emphasize] not words and text but colors and shapes and sounds...
...horse that appears over fifteen times in the images inside the ledger. According to him, such effigies were created by Lakota warriors who lost their horses in battle, and these objects were later used in ceremonial dances. For Thunder Hawk, who learned his artistic skills from his grandparents, the exhibit was an inspiration; it exposed him to the art of the pictograph—the colored illustrations that fill the ancient ledger...
...Peabody Museum of Archaeology and Ethnology houses more than six million cultural objects and 500,000 photographic records, constituting one of the oldest and largest collections of indigenous artifacts in the Western Hemisphere. Five hundred of the objects are on display in the permanent exhibit, called “The Hall of the North American Indian,” which was installed in 1990 and continues to be a home for academic research, along with educational and ceremonial programs. McLaughlin says that she carefully selected the artifacts for the Wiyohpiyata exhibit from among the museum’s vast collection...
...example, the Peabody’s recent Archeology of Harvard Yard Exhibit drew together students, administrators, and tribal leaders in an effort to promote a concerted dialogue about the artifacts and their presentations in the museum, according to Capone...