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Word: exhibits (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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PANORAMA: A STUDENT ART EXHIBIT...

Author: By Marcelline Block, CRIMSON ARTS STAFF | Title: PANORAMA | 3/19/1999 | See Source »

Panorama, Harvard-Radcliffe Hillel's recent art exhibit, was aptly titled. The exhibit, featuring the work of more than 30 Harvard artists, including graduate students, brought together a diverse range of works of art, subject matter and media. Panorama included many conventional pieces such as black-and-white photography, oil and acrylic paintings, charcoal drawings and watercolors but also presented very unusual media as well. Some of these are senior Amanda Proctor's Native American beadwork, a wire sculpture by Rachel Friedman '01, plastic boxes filled with transparencies and water by Jen Wu '00 and felt pennants by graduate student...

Author: By Marcelline Block, CRIMSON ARTS STAFF | Title: PANORAMA | 3/19/1999 | See Source »

Sampler includes the work of many photographers, far more than mentioned here, and the character of the exhibit, like the aesthetic discourse implicit within it, only comes together after sustained viewing. The Advocate has put together a unique show, a kind of East meets West in the New England sense; deep and wide, loud and blue--it's not to be missed. There's groovy music...

Author: By Marcelline M.block, CRIMSON ARTS STAFF | Title: Advocating NYC: Give My Regards to Color | 3/12/1999 | See Source »

...self. As Yve-Alain Bois, Joseph Pulitzer Jr. Professor of Modern Art, points out "the grail he (Kelly) sought was his own effacement." During the period of 1948-1955, Kelly sought to find a way not to compose, to relinquish personal agency over his work. The exhibit, arranged chronologically, depicts three methods: the direct copy or transfer system, automatic drawings, and grid work established by chance...

Author: By Teri Wang, CONTRIBUTING WRITER | Title: Kelly Draws, a Wild Hand | 3/12/1999 | See Source »

...most surprising works of the exhibit is 1949's Study for Seaweed (number 19 in the exhibition), a direct transfer of the outlines of a seaweed plant pinned to the door of Kelly's Bellelle cottage. At first sight, especially due to its placement near some of Kelly's transfers of window frames, one might mistake Study for Seaweed for window glass being broken by the intrusive head of a nail or perhaps the artist's pencil. In fact, it is sometimes extremely difficult to discern the content of these paintings. But that is not the point. You see, Kelly...

Author: By Teri Wang, CONTRIBUTING WRITER | Title: Kelly Draws, a Wild Hand | 3/12/1999 | See Source »

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