Word: existance
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...compete with other upstarts like Tiger Airways in Singapore and AirAsia in Malaysia: fly to European cities--perhaps Berlin, Brussels, Milan, Vienna--where no other Asian airline goes direct. "Instead of trying to steal someone else's lunch, we're creating a market where a market does not even exist," says Lee. --By Nellie Huang/Hong Kong...
...good postmodernists, we know that “reality as it really is” doesn’t really exist. The strength and the weakness of this film may be precisely the extent to which it is seduced by its protagonist’s own rhetoric and rhetorical figures. Benegal doesn’t fail to convey that he has great enthusiasm and passion for the subject he has chosen. But this passion seems, too often, like the zeal of a propagandist and not enough like the reflection of an artist open to the ethical difficulties...
...whole picture runs much like an extended sitcom, complete with obtrusive music meant to telegraph the emotions of a given scene. And like a bad episode of 7th Heaven, the stakes don’t really exist. The characters are sheltered from the harshness of reality so that no matter what, every problem has its solutions. One can guess that this doesn’t make for very exciting drama. And with none of the memorable characters that help keep audiences attached to their favorite sitcoms, viewers of this film may be left wanting anything to keep their attention...
Hell Yes shouldn’t be mistaken for an album, as it’s really just a multimedia commercial for the man, the myth, the Loser. Witness the “cover art” (covering what? It seems to exist only for the sake of iTunes), depicting a Gameboy being played into an amp, and the gleefully cheap-looking video for the title track, the frantic “GHETTOCHIP MALFUNCTION (Hell Yes)” (the track titles, like the music itself, spurns anything lowercase...
...good postmodernists, we know that “reality as it really is” doesn’t really exist. The strength and the weakness of this film may be precisely the extent to which it is seduced by its protagonist’s own rhetoric and rhetorical figures. Benegal doesn’t fail to convey that he has great enthusiasm and passion for the subject he has chosen. But this passion seems, too often, like the zeal of a propagandist and not enough like the reflection of an artist open to the ethical difficulties...