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Word: existentialists (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Grimaud, France. Van Velde's life before World War II was almost a prototype of the lot of the unrecognized artist: hunger, despair and an unending search for patrons. After the war, he attracted supporters who saw in his work a sense of the absurd that reflected the existentialist experience. Commented Playwright Samuel Beckett: "He confronts without restriction and complacency the anguishes of our time...

Author: /time Magazine | Title: Milestones: Jan. 11, 1982 | 1/11/1982 | See Source »

Does no one have the guts to call John Lennon what he was: a media-wise, existentialist Pied Piper who helped lead countless kids down the rocky rathole of drugs, rebellion and purposelessness...

Author: /time Magazine | Title: Letters: Jan. 12, 1981 | 1/12/1981 | See Source »

Jean-Paul Sartre, 74, French existentialist philosopher who embraced Communism and later Maoism and deeply influenced a generation of postwar intellectuals. In novels (Nausea), plays (No Exit) and tracts (Being and Nothingness), Sartre contended that God is dead and that man thus defines himself through his own actions...

Author: /time Magazine | Title: IMAGES: GOODBYE | 1/5/1981 | See Source »

...with the decisive force at their command must weigh the force of the unknown. It is entirely possible that World War II might have been still bloodier had the U.S. not been drawn into the fight by the Japanese assault. To this dilemma The Final Countdown makes a sensible, existentialist response. It is also fully aware of the ironies-the sheer comic puzzlement-implicit in a confrontation between a modern ship of the line and antiques that are a mere four decades...

Author: /time Magazine | Title: Cinema: Time Traveler | 8/18/1980 | See Source »

...MOON over the Mather House courtyard would delight Samuel Beckett as it dodges behind thick black clouds during this outdoor production of his existentialist tour-de-force, Waiting For Godot. By play's end, it nestles out of sight, casting an appropriate bleakness over a wet and shivering audience. The sky matches Beckett's play in its inability to illumine. The stage slipped between Mather House's cement blocks stands bare of even the smallest of miracles. No leaves flutter on the lone tree that cowers behind a tiny desert. A flute echoes as the only sign of regeneration when...

Author: By James L. Cott, | Title: L' Absurdite, C'est Moi | 5/1/1980 | See Source »

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