Word: exit
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Dates: during 1960-1969
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...LOWER DEPTHS. In a crude beam-and-burlap basement, a group of humanity's dregs inhabit a no-exit hell of thoughtlessness, meanness and cruelty for each other, until a stranger for a while tries to set their lives in motion again and soothes them with the balm of understanding...
AFTER THE FALL. Making his actors enter and exit like vagrant thoughts of memory, Playwright Arthur Miller tangles them in the web of man's hurt and guilt...
...Pinafore are enthusiastic beyond belief. It takes only a few minutes for them to recruit the whole audience for their team; after that, no amount of minor inconsistencies or flat notes can keep the crowd from laughing along with Gilbert, hissing the villain, and clapping time to the exit pieces. It is not the best written show of the term, nor is it jam-packed with Harvard's drama talent; but you'll have more fun with G. and S. than with anyone else in town...
...BLOOD KNOT. Playwright Atholl Fugard traps a black and white pair of half brothers in a tin shack in South Africa, which proves to be a no-exit hell for a conflict that is bruisingly bitter, ruefully humorous, and much more than skin deep...
This wordless vignette is her first entrance and exit in Broadway's new musical, Funny Girl. In the moment's pause before she disappears as quickly as she came, she leaves an image in the eye-of a carelessly stacked girl with a long nose and bones awry, wearing a lumpy brown leopard-trimmed coat and looking like the star of nothing. But there is something in her clear, elliptical gaze that is beyond resistance. It invites too much sympathy to be as aggressive as it seems. People watching it can almost hear the last few ticks before...