Word: exorcist
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There's just no way to beat the devil, judging from the number of spook-and-demon movies now brewing in Hollywood. Not only will Actress Linda Blair soon make a spirited return in The Heretic-Exorcist II, but Producer Harvey Bernhard has agreed to work on three sequels to The Omen, his picture about a devilish four-year-old named Damien. The Omen has pulled $50 million into U.S. and Canadian box offices since its release, and so Bernhard plans to bring Damien back as a twelve-year-old, a young man and a Western leader who guides...
...could be argued that Carrie is, finally, just another idle, if entertaining, exploration of the psychic world, yet an other trip through country similar to that traversed in The Exorcist and The Omen. But there is a pointed glee in De Palma's satirical vision of high school society, an oddly compelling power in his juxtaposition of the banal and the awesome moving unsuspected amidst it. The moral reckoning to which that all leads may be curious, but it is surely cautionary. In any event, the journey to that reckoning is an exercise in high style that even...
...only house-high but has a soul as well. Ever since production was announced, King Kong had the potential to be what the industry annually requires, a "big bopper." as they say in the trade. A genuine big bopper is something on the order of The Godfather, The Exorcist, The Sting or, to name the film most like Kong, Jaws. It should generate domestic grosses of $50 million to $100 million and, almost as important, a public excitement that spreads from the particular film to movies in general...
...hardware have created most of the drama during Kong's filming. Indeed, it is fair to say that if there is something like a common denominator in the big bopper genre, it is special effects. Among the important elements drawing people to films as diverse as The Exorcist, Earthquake and Jaws was the sheer movie magic they featured. From the start it was generally, and to some degree falsely, understood that the new Kong would stand or fall on how realistic the big monkey would seem on screen. Producer De Laurentiis, being no fool, has stressed the expense...
...serves as a good example of what a talented director can do with intractable material. Irvin Kershner, who is known for such pocket dramas as The Hoodlum Priest and Loving, is working for the first time on a large scale. With the excellent assistance of Cameraman Owen Roizman (The Exorcist), he brings off some fine set pieces: a buffalo hunt, the sacking of a fort. The movie is too glib about Indian spirituality to be good, too self-conscious about being on the Indians' side to be wholly convincing. The Return of a Man Called Horse is no more...